1,944 Royalty-Free Audio Tracks for "D Chord"

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Dominant form chord: Dominant ninth chord preceding tonic chord and possessing a primary dominant function.
Author: Hyacinth
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Chord progression with diminished seventh chords added.
Author: Created by Hyacinth (talk) using Sibelius 5.
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IV-V-I chord progression in C. MIDI file Progression d'accords. Fichier midi.
Author: Hyacinth
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Prometheus scale on C.
Author: Created by Hyacinth (talk) 22:35, 4 July 2010 using Sibelius.
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Common-tone diminished seventh chord (♯vio42, in D major: b♯o7) in Tchaikovsky's Nutcracker Suite, op. 71a, III, Valse des Fleurs, mm.1-4.
Author: Hyacinth
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Dorian mode on D. Created by Hyacinth (talk) 09:54, 19 April 2011 (UTC) using Sibelius 5. See: :Image:D Dorian mode.png
Author: Hyacinth at English Wikipedia
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In scale on D.
Author: Created by Hyacinth (talk) 01:56, 5 July 2010 using Sibelius 5.
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Schubert, Erl King, piano introduction
Author: Schubert
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Giovanni Benedetti's 1563 example of a comma "pump" or drift by a syntonic comma (21.51 cents) during a progression. Common tones between chords are the same pitch, with the other notes tuned in pure intervals to the common tones.
Author: Hyacinth
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Maple Leaf Rag seventh chord resolution. Created by Hyacinth (talk) using Sibelius 5.
Author: The original uploader was Hyacinth at English Wikipedia.
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Claude Debussy's Premiere Arabesque melody and chords abstracted from that melody.
Author: Claude Debussy
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Scale of the fingering chart for the tabor pipe.
Author: Hyacinth
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V42 of V - V - I in C. Created by Hyacinth (talk) 14:09, 15 May 2010 using Sibelius 5.
Author: Hyacinth at English Wikipedia
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Chord progression of La Folia theme, a common harmonic pattern in baroque music. After chord notation provided by User:Hyacinth at en:File:Later Folia.png. Self-made with Lilypond
Author: 13:22, 25 May 2011 (UTC)
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Demonstration of the melodic minor second's place in a cadence. Created by the uploader.
Author: Hyacinth
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Bach; Chaconne d-moll Heifetz
Author: Jascha Heifetz
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Istrian mode as subharmonics 14 through 7 on C: D-, E↓, F, G↓, A♭, B♭-, C, D-' = D, E, F, G♭, A♭, B♭, C, D'.
Author: Hyacinth
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V65 of V in C, four-part harmony. Reduced from Chopin.
Author: Hyacinth
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Modulation with subsidiary chord (in blue). Created by Hyacinth (talk) 02:10, 15 November 2011 (UTC) using Sibelius 5.
Author: Hyacinth at en.wikipedia
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V of V in C, four-part harmony. Reduced from Chopin.
Author: Hyacinth
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V of V in C, four-part harmony. Bruce Benward and Marilyn Nadine Saker (2003). Music: In Theory and Practice, Vol. I, seventh edition: p.269. ISBN 978-0-07-294262-0.
Author: Hyacinth
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Tritone substitution (for V) notated as Italian sixth.
Author: Created by Hyacinth (talk) 04:49, 10 May 2010 using Sibelius 5.
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Miyako-bushi scale on D.
Author: Created by Hyacinth (talk) 01:25, 5 July 2010 using Sibelius 5.
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Min'yō scale on D.
Author: Created by Hyacinth (talk) 01:27, 5 July 2010 using Sibelius 5.
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Yo scale on D. Created by Hyacinth (talk) 11:53, 21 March 2010 using Sibelius 5.
Author: Hyacinth at English Wikipedia
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Erlkönig (Le roi des Aulnes), lied composé par Franz Schubert, interprété par Ernestine Schumann-Heink (1861-1936)
Author: Franz Schubert - Ernestine Schumann-Heink
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Schubert; Moments musicaux, no. 2 In A Flat Major
Author: Artur Schnabel
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Schubert; Moments musicaux, no. 4 In C Sharp Minor
Author: Artur Schnabel
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Schubert; Moments musicaux, no. 3 In F Minor
Author: Artur Schnabel
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Schubert; Moments musicaux, no. 6 In A Flat Major
Author: Artur Schnabel
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Schubert; Moments musicaux, no. 5 In F Minor
Author: Artur Schnabel
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Schubert; Moments musicaux, no. 1 In C Major
Author: Artur Schnabel
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Schubert, String Quintet in C, final bars.
Author: Schubert
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Schubert, Ave Maria, adapted to Latin words complete
Author: Franz Schubert (sound file: Rabanus Flavus)
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